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6

《常羽辰:蛇与其他》


《常羽辰:蛇与其他》是纽约布鲁克林否画廊首展的画册,包括常羽辰近期创作的两个系列——“蛇”与“盆栽”,以及一套受否画廊特殊公寓空间启发而创作的玻璃雕刻——“指纹“。由柏鸣设计,用朴素而曾几近过时的Risograph小型印刷,棉线手工装订,限量一百本,每本都有版数和常羽辰的指纹印。它不是一本普通贵重的书,单黑色/红色,粗糙的印刷精度,薄薄的二十页,但它包含从设计伊始保留到最后的坚定,也有突如其来大刀阔斧的临时改变。而所有的决定都印证着最初的希望:它不只是通常仅仅被称为“展览画册”的衍生产物,而是有它自己声音的、值得花时间阅读体会的一个作品。书里还有Lisa Wainwright的短评和何雨创作的童话《蛇》。

本书被纽约现代艺术博物馆图书馆,上海21世纪民生美术馆和纽约大都会博物馆图书馆收藏。



Chang Yuchen: Snake and Others is a self-published catalogue of Fou Gallery (Brooklyn, New York)'sinaugural exhibition. Featuring two recent series – Snake and Bonsai, as well as a group of glass engravings Fingerprint inspired by the alternative apartment space of Fou, the exhibition marks Chang Yuchen’s first solo exhibition in the United States. Include an essay by Lisa Wainwright, Professor and Dean of Faculty at School of the Art Institute of Chicago, and a fairy tale about snake by Echo He, co-founder and curator of Fou Gallery.

The book is now in the collection of Museum of Modern Art Library (New York), Thomas J. Watson Library of The Metropolitan Museum of Art (New York) and M21: 21st Century Minsheng Art Museum (Shanghai).



《朱喆:维尼塔斯》


“为2014年在北京的个人展览《朱喆;维尼塔斯》特别制作了一批盒装画册。不同于大部分以装订书的形式呈现的展览画册,这个小盒子里的每张照片都是独立分开的,可聚拢成册,可打乱散置。一个摄影系列通常被看作成一段叙述,所以顺序很重要。而照片顺序对于我的这个系列来说却不是劣势,反而可以变成一种有趣观看方式。这本画册的呈现方式是一张全图对应一张细节截图。因为摄影本身的优势很难在4x5英寸的卡片上呈现。一张截图能展示大尺寸照片的细节清晰度,而从画面中找到这一块截图,会有一种做游戏的感觉。哪怕打乱也无妨,更添一种寻找的乐趣。在校样的过程中我们做了不少调整,比如说纸张的选择,从没有涂布的纸基到现在选用的略微光滑些的纸张,都是为了更好的呈现照片色域。这个套装使用了两种纸张,有三张是透明的描图纸,文字印刷在上面,隐隐约约显出下面的照片来,效果特别好。包装的黑色卡纸是从日本进口的,刚拿到的时候可以闻到一种很特别的味道。因为想让包装尽可能地极简化但不失单调,所以设计定做了一个重达10斤的钢印,在每个包装封面上亲手刻下了我的logo,轻微地凹凸,只是偶尔被看见。” -朱喆


本书被上海21世纪民生美术馆和纽约大都会博物馆图书馆收藏。




“This box set is designed specifically for the exhibition - Zhe Zhu: Vanitas. Instead of the binding most galleries do for their exhibition photobooks. We decided not to bind the pages. Each image is separated from each other. A photography series is normally seen as a narrative so the order of images is highly valued. However it's not the same case this time since each photo has its own different approach to traditional Dutch still life. The way we presented this set is that each photo is placed next to its detail images. The photographic advantage is impossible to show on such a small piece of paper. A photo cut out can show the resolution of the original photo. And it's fun to find it from the exhibition print. We made a lot adjustment during proofing. For instance we changed the paper choice from a raw, matte surface to another kind for wider color range. Three different kinds of paper were chosen for this set. 3 are semi-transparent tracing paper with text, allowing the image underneath to be seen subtly. The black cardboard paper we use for the package is imported from Japan. It had a very decent smell when we first received it. In order to add some interesting element with a simplistic approach, a metal embossing stamp machine was custom made. It excels at delivering subtle logos.” - Zhe Zhu

The book is now in the collection of Thomas J. Watson Library of The Metropolitan Museum of Art (New York) and M21: 21st Century Minsheng Art Museum (Shanghai).


《杜蒙:退火》



这本100版的艺术家手工书为《杜蒙:退火》展览特地设计,收录了大部分展览作品图片,由艺术家本人杜蒙设计,每本用茶水染色棉线手工装订,且有版数和艺术家签名。手工书不仅成为展览的一部分,也是杜蒙设计语言的延续。关于这本书的故事,欢迎阅读否姑娘Patricia和杜蒙的采访《一本手工书背后的故事》。否画廊愿意与杜蒙一起,将其作品的质感和情绪透过错落的光影、织物感的纸张与温润的茶染棉线传递到观者一方,丰富并延展其作品带给我们的诗意和想象力。



本书被上海21世纪民生美术馆和纽约大都会博物馆图书馆收藏。


“人们常见的标准化、流水线上出来的产品只是看上去整齐划一,参数上的精确不能被等同于工艺上的精致” ——杜蒙


The 100 limited edition artists’ book, is exclusively made for Meng Du: The Climb, The Fall, the artist's first solo exhibition at Fou Gallery, New York. Designed by the artist herself, each book is bound by a cotton thread dyed with tea,  signed and editioned by the artist. While the book plays an important role as an exhibition catalogue, it also continues Meng Du's exploration in art. Check our blog for The Story Behinds an Artists’ Book by Fou Girl Patricia Chen and Yiwen Han. Fou Gallery and Meng Du would like to deliver the delicate texture and emotion of the work, through the dotted shadows, the textured papers and the gentle color of tea, and enrich our imagination towards the works. The book is now in the collection of Thomas J. Watson Library of The Metropolitan Museum of Art (New York) and M21: 21st Century Minsheng Art Museum (Shanghai).

“The standardized, mass-produced works look uniformed, however, the preciseness in parameter does not equal to exquisiteness and delicateness in craftsmanship.” - Meng Du




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